Showing posts with label flacon. Show all posts
Showing posts with label flacon. Show all posts

Wednesday, March 11, 2015

Early American Old Spice for Women by Shulton c1937

Most people are familiar with Old Spice, the iconic men’s fragrance, but few realize that it was originally created as a perfume for women. Launched in 1937 under the name Early American Old Spice by Shulton, this fragrance was conceived with a distinctly colonial-inspired theme, drawing from the rich history of early American traditions. The name Early American Old Spice was carefully chosen to evoke a sense of nostalgia and historical charm. It referenced the colonial period in American history—a time when simple, yet richly fragrant potpourris, often infused with spices and flowers, were commonly used to scent the home. The choice of "Early American" suggested a link to the past, a time of craftsmanship, heritage, and simpler pleasures. The addition of "Old Spice" helped further reinforce the sense of vintage charm, inviting consumers to indulge in the nostalgic, aromatic experience of long-forgotten potpourri recipes.

The name, which may sound quaint to modern ears, resonated deeply during the Great Depression of the late 1930s, a time when the country was grappling with economic hardship. Amidst the uncertainty, there was a growing cultural fascination with Americana—an idealization of the nation’s early days. Many people longed for a sense of simpler times, and the scent of Early American Old Spice was cleverly marketed to reflect that desire. Shulton, ahead of its time, captured this trend by packaging their line of toiletries with historical charm and advertising it in prominent publications like Vogue and Harper’s Bazaar. In doing so, the brand inadvertently became one of the first to ride the wave of Americanism in advertising, appealing to a sense of patriotism and national pride at a time when it was desperately needed.

Early American Old Spice evokes a time when colonial history and fragrant herbs were cherished in American households. The name itself conjures images of rustic, aged rose jars filled with potpourri—fragrant blends of dried flowers, spices, and herbs—sitting atop wooden mantels in the heart of a traditional American home. The words Early American suggest an air of nostalgia, bringing to mind imagery of homesteads, delicate floral arrangements, and timeworn, weathered furniture. Old Spice, on the other hand, implies a kind of enduring, timeless quality, much like the scent of antique rooms filled with spice-laden potpourri or hand-carved wooden furniture polished with a faintly spicy, comforting aroma. Together, the name evokes a warm, welcoming atmosphere, one of quaint simplicity, and earthy elegance.

Thursday, January 29, 2015

Sunday, January 11, 2015

Desert Flower by Shulton c1947

Desert Flower by Shulton, launched in 1947, is a name that conjures vivid imagery and carries rich symbolism. The term "Desert Flower"refers to a rare bloom that thrives in the harsh, arid conditions of the desert. It evokes images of resilience, beauty, and an almost mystical allure—a flower flourishing where life seems improbable. This duality of strength and delicacy mirrors the qualities many women of the time aspired to embody, making the name both poetic and aspirational. The phrase "Desert Flower" stirs emotions of awe, wonder, and appreciation for nature’s ability to create beauty in unexpected places, aligning seamlessly with the romanticism of the post-war era.

The time period in which Desert Flower was introduced was one of great transition and renewal. The world had just emerged from the turmoil of World War II, and society was entering a phase of optimism and modernity. This era, often referred to as the post-war boom, saw women embracing a newfound independence while simultaneously returning to domestic life as prosperity surged in many countries. Fashion during this time reflected this duality, blending the elegance of pre-war styles with softer, more feminine silhouettes—think Christian Dior’s "New Look," introduced in 1947, with its cinched waists and full skirts that celebrated grace and glamour.

A perfume named Desert Flower would have resonated deeply with women of the time. It symbolized survival, renewal, and beauty in adversity, echoing the societal shift toward rebuilding and thriving in the wake of the war. It appealed to the modern woman’s desire to embody both strength and allure, offering a sense of mystery and magnetism as promised in its advertisements. The tagline “modern, mysterious, magnetic” perfectly captured the evolving identity of women who were exploring their individuality within the framework of tradition.